How to Use This Blog

Since we have lots and lots of videos here, you will need to know the best way of finding what you are looking for. Each post has the video(s) of the topic it is about. Many times there will be more than one video that is a continuation of the previous one. These videos will be posted together within the same post. To find what you are looking for, either use the search box or the list of categories posted in the right column.


The IQ system is constantly evolving, so please keep in mind that some of the older videos may show features that have been replaced by newer ones.



Saturday, February 3, 2018

Embroidery Effects with iQ.


EMBROIDERY EFFECTS WITH IQ. 

This is just inspiration to try more than just quilting with your iQ. I have not given step by step instructions. It is possible to create embroidery-like effects, from simple fabric embellishment to more complex filled patterns, with your quilting machine and iQ. All of these techniques can be used on quilts but they can also be used to embellish plain yardage.

Simulating Redwork.

Use a thick thread in the needle, such as Jeans Stitch. Stitch out a practice piece to test the tension. Redwork can be quilted or stitched on yardage, but remember the yardage will be pulled in by the stitching. Starching the fabric heavily or adding a removable stabilizer will help.
I used undiluted liquid starch to stiffen a single layer of fabric. It felt as if I was stitching through paper but there was no draw up. I washed the fabric after completing the stitching and was happy with the results. These embroideries can now be pieced into a quilt.

When doing simulated redwork as part of the quilting, stitch in the ditch on the block outline first to stabilize the quilt. Stitch the motif next then finally any background fills.
You may need to realign before stitching the background fill. Also double check that the background fill isn’t going to extend beyond the edge of the block by watching the crosshairs as you move the machine around the block. If the fill extends too far, create a clipping block to trim away the excess.
Leaving a small gap between the motif and the background fill is more forgiving.

Ideas: Use Razzle Dazzle thread in the bobbin and stitch the redwork upside down. Double or triple stitch the pattern if you do not have thick thread.

Line Embroidery.
  
Stitch out motifs using multicolored or variegated thread but for a more embroidered look, change threads throughout the pattern. This works well with flower designs. Split the pattern where you want to change the thread color.
When you sequence the stitching, select all the areas that will use the same color thread and select stop to cut threads as the transition. This gives you the opportunity to realign between each section.

In the floral sample, I stitched all the green leaves first, and then changed top thread colors for the flowers. I found I had to realign before stitching each flower because the green stitching had pulled in the fabric slightly.

Filled Embroidery Patterns using Spiraling echoes.
 
Inside echoing.
Use this for a true filled embroidery look. Echo each interior space with a tight spiral. After placing the echo in one space, touch ‘accept’, not finished. This will take you to the transition page where you’ll choose ‘spiral’ then touch finished to return to the echo pattern page. You can continue doing this until all the spaces are filled.
Each tight spiral fill should be stitched from the outside to the center to minimize distortion.
When stitching a pattern like the Betty Flower pictured, begin by stitching the yellow center. Before stitching one of the red petals, realign to the center of the flower.
Realign every time before stitching another element.
To get the best coverage, design and save the filled pattern at a larger scale than you intend to stitch it out.

Ideas: Only stitch filled spaces, not the actual pattern. Fill and stitch parts of a design, not all of it. Play with multi-colored thread starting a filled area with the same color so that every area has the same interesting striped effect.


3D Effects.

Choose a simple pattern and turn it into a fan pattern. Reduce the angle to 1º. Grab the start point and move it around the screen.
Try this with a simple curl – see how it resembles a ribbon?
Now try this with other patterns.

The angle between the repeats can be smaller than 1º if a more solid look is preferred.

Couching.

Couching is when a thread is laid on fabric then stitched down with another thread.
Path pattern is a fast way to set couching in place. I chose to couch a heart so I placed a heart pattern in a block then used the heart as the path. I chose arc-2 and increased the repeats to 50, which reduced the scale of the individual repeats making them more suitable for couching the yarn. I stitched the heart pattern first so I knew where to place the yarn.
As IQ stitches the path pattern, hold the thread, yarn or ribbon in place so that the stitching goes over it. (It is couched.) Set IQ to move slowly so that you can adjust the decorative thread easily. Alternatively, the couched thread, yarn or ribbon can be glued in place first.
Use line pattern to mark the position of the couching if you want it to cover a seam line, for instance. Trace along the seam line using line pattern then select that line pattern as the path. Use either arc-2 or half circle2 for the couching stitch because an undulating line will stitch out more easily than a zigzag.
Other stitches work well for decorative couching especially when couching ribbon – try a figure 8, pearl or other simple patterns.

NOTE: if a couching foot is available for your machine, it's not necessary to follow these steps. However, I have found that my Gammill couching foot will only allow me to use one thickness of yarn or cord. To couch ribbons or fancy yarns, I'd still use the path pattern method.


Crazy quilts.

There are many crazy quilting stitches for sale but you can create your own with line pattern or by using the geometric catalog patterns. Many sashing or border patterns work well as crazy stitches when they are reduced to a small size.
Embroidery is done along the seam lines of crazy quilts, so place the pattern a combination of line pattern and path pattern. Mark the seam line as a line pattern then use that as the path for the decorative stitch.


Embellishing yardage for clothes, bags and home decor items.
Fabric for clothing – load a single layer of fabric and keep it taught. Don’t overstretch it. This should be enough fabric for all the pattern pieces. There’s no need to mark the pattern pieces on the fabric – you are simply embroidering yardage.
Choose a pantograph and cover the whole fabric with the pattern, just as you would a quilt.

Use strong thread – clothing stretches as you wear it and the thread will break more easily than it does on a flat quilt.
When you take the fabric off the machine, it will pull in a little and cause the fabric to bubble but this can usually be pressed out. Try loosening the thread tension to minimize the bubbling. However, this bubbling can add an interesting dimension to the fabric. Starching the fabric heavily will prevent the stitching from drawing in the fabric.
Bags are often made of three layers like a quilt so the bag quilt yardage will be stitched before cutting out the pieces for the bag.
A single layer of fabric could also be embroidered for a bag either with an edge-to-edge pattern or with motifs.

When stitching motifs, think about how much fabric you’ll need for the whole pattern piece to ensure the motif is in a place that allows you to cut out the bag with the stitching in the correct position. Alternatively, stitch a motif that will be used on an outside pocket.
Home Décor -Fabric for curtains or pillows may be heavier weight so will not draw up as much a fabric for clothing. It’s still important to keep it taught.
Decorative pillows can be like small quilts – quilt/embroider the front panel then make up the rest of the pillow cover.

Ideas: Stitch a pattern along one edge of the fabric; add a pattern to a pillowcase, sheet edge or towels. Embellish fabric for a pelmet or valance – this could be quilted or just a single layer of fabric.
Many designers sell patterns for bags, aprons, baby items, placemats, Christmas stockings and tree skirts.  

Wednesday, January 24, 2018

Creating a circle of pearls.

I recently made and used this circle of pearls pattern on a quilt.


Several people asked how I created it so here are the steps, but first you need to create and save a continuous pearl pattern. I described how to do that in the previous blog post.

Starting at the main menu.
Design/Sew Quilt > Start New (answer any pop up questions appropriately)
Block Pattern > Enter Rectangle manually > use the default of 10"x10" > continue > Finished Select Circle from the geometric catalog (if you have re-organised your pattern catalogs, use search to find circle) > continue.
For this exercise, we'll make the pattern 10".
Touch width and make it 10" by sing the keypad. Touch height and make it 10". Finished.

Copy Pattern > touch the circle > continue.
Grab the center reference point and move it until it snaps on top of the center point of the original circle.
Scale > change it to 90% using the keypad. Finished.
Copy Pattern > touch the smaller circle > continue.
Again, grab its center point and move it until it snaps to the center points of the other circles.
Scale > change it to 80%.
Your screen should now look like this.


Finished.
Add Pattern > Path Pattern. Touch the middle circle to be the path > continue.


Now you need to find the continuous pearls you created. Continue.
This is what you should see.


iQ will always start out by making 20 repeats. In this case, that looks good to me, but see what happens when you change the number of repeats. Experiment and play. Take the number to extremes what happens with 50 repeats? What happens with 4 repeats? Playing like this helps you understand what iQ can do and how you can customise patterns.

When you've finished playing, put the repeats back to 20.
Finished.
Add/Edit pattern > Delete pattern > touch the circle that was your path - the middle circle. Continue > Yes


Now you have a pattern similar to the one I used but it is still three separate patterns. To make it one pattern, they need to be combined.
Touch Combine Patterns > touch the inside circle > continue > touch the pearls > continue.
Now you have to choose a transition. For my pattern I chose continuous because I wanted a continuously stitched design, and that little joining line was so short it was hardly noticeable, especially since I aimed to placed it at a seam line.
I then touched the outside circle to combine it and again chose continuous as my transition.
Finished > finished > Save Quilt/Pattern > Save a pattern from the quilt.
Give your pattern a name and save it in a catalog that makes sense to you.

When I created the pattern for my quilt, I traced the outline of the star as my block then created the circle of pearls to fit outside that star. Its size suited that quilt. My saved pattern may not work on too many other quilts but it wouldn't take very long to create a new one if I needed to do so.
I used the same pattern for all my stars - I realigned the center of the pattern to the center of each star as I worked on the quilt. There was no need to mark every star block because I had made the pattern so that it didn't touch the star - it floats around them.



How to create a continuous pearl pattern.

This is a step by step tutorial so you can create your own simple pearl pattern. I list the buttons to touch so you can follow along. This type of tutorial is called a booster and you can find several more at the intelliquilter web site. The boosters there were made several years ago but you should still be able to work them out however.

How to create your own continuous pearl pattern.

Start at the main menu.
Design/Sew Quilt > Start New (answer any pop up questions appropriately)
Block Pattern > Enter Rectangle Manually.
The block size doesn't matter so just touch Continue > Finished
Open the geometric catalog and select circle (if you have re-organised you pattern catalogs, use search to find circle) > Continue.
Width - use the keypad to enter 1" > Height - use the keypad to enter 1"
(Alternatively you can select Scale and sweep the screen or use the minus sign to reduce the size of the circle to 1")
Touch Grid off. Change the grid size to half an inch by tapping the grid size button until you see half an inch.
Move. Touch the snap off button.
Touch the circle and move it until the S/E point snaps to the grid (it doesn't matter where)


Finished > Add Pattern > Block Pattern > Use current block > select Half Circle from the geometric catalog. (If you have re-organised your patterns, use search to find half circle) > Continue.
Grab the start point of half circle and move it until it snaps to the start point of the circle (Notice mine is huge)


Stretch > touch the start point for the anchor point of the pattern (this one will not move)
Now grab the end point of the half circle and move it until it snaps to the opposite side of the circle.
Zoom in or out as necessary.


Finished.
Combine Patterns. Touch the circle > continue > touch the half circle - just keep touching where you know the half circle is - you'll know you've touched when the message on the screen changes.
Continue > Finished.

Copy pattern > touch your pattern, which is one continuous pearl > continue.
Flip Y. (Doing this means that the double stitching will happen on alternate sides of each pearl, which I think makes it less noticeable.)
Grab the copy and move it until the S point touches the E point of the original pearl.


Finished.
Combine patterns > touch the first pearl > continue > touch the second pearl > continue.
Finished > Finished > Save Quilt/Pattern > Save a Pattern from the Quilt > touch the pearls > continue > name your pattern and save it in whichever catalog makes sense to you.

Even though we created this pattern as 1" by 2", it can be scaled up or down to suit your needs.



Tuesday, January 2, 2018

How to create your own modern panto.

Many modern pantos have a design that goes the full width of the quilt. These can be tricky to set up and I've shown how to do that using a repeated block pattern in another post. Panto only versions of iQ cannot use that method but this one should work for you.

Follow these steps:
Design/sew quilt > start new > pantograph > enter rectangle manually.
For this example I entered 75 x 90. If you want to save this quilt to use as a master, make it as big as necessary.
Continue > finished.
Select the geometric catalog and choose arc-2 for your panto.
This is what it will look like.


NOTE: if yours doesn't look like this, you need to change one of the settings, so touch the gear button (local configuration) up there by the help button, and the first preference listed is Line Up Start/End Points. If it says disabled, touch the button beside those words, then touch the plus or minus sign.
Your panto should now look like mine.

Whilst you're at the configurations, look at the choice for progressive offset. If it says disabled, touch the words and then the plus sign to change it to enabled. Finished.

Change the row height to 1".
Now play around with the gap setting, the offset setting and the skew setting to see what you get. Here are some of the patterns I got. Look at my settings to replicate them on your tablet. (Click on the image to increase its size) Save the one you like the best as a quilt. Start again from the beginning to create some variations if you wish. By the way, you'll notice I always offset the pattern to the right, but ofcourse it can be offset to the left if you prefer.